367 lines
14 KiB
HTML
367 lines
14 KiB
HTML
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<meta charset="UTF-8" />
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<title>ICOM</title>
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<body>
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<header>
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<a href="/"><img class="logo" src="assets/images/logo.svg" alt="" /></a>
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<h2>Museums in Motion: ICOM 80 Years</h2>
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<!-- Navigation à venir -->
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<main>
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<section class="hero">
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<div class="text">
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<p class="intro">80 years of evolution of</p>
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<h1 class="title">A Global Museum Network</h1>
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- titre
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- référence (ex. auteur de la citation)
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<section class="featured-text">
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<p class="main">
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It highlights how changes in the museum field - ethics,
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specialisations, global representation, were mirrored in the evolution
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of ICOM's committees, working groups, and membership.
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</p>
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</section>
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<section class="two-columns">
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<div class="column left-column picture-column">
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<figure>
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<img src="assets/images/image-1.jpg" alt="" />
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<figcaption>Légende</figcaption>
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</figure>
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</div>
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<div class="column right-column text-column">
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<h3>80 Years of Evolution of a Global Museum Network</h3>
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<div class="text">
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<p>
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Today, ICOM unites more than 60,000 members across 128 National
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Committees, 35 International Committees, 7 Regional Alliances, and
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22 Affiliated Organisations, making it the largest organisation of
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museums and museum professionals around the world. What began as a
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small group of dedicated professionals in 1946 has evolved into a
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vast global network.
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</p>
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<p>
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From its post-war European and North American foundations, ICOM
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progressively expanded into a genuinely global organisation,
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shaped by shifting geopolitical contexts, decolonisation
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processes, and the growing diversity of museum practices
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worldwide. How did we get here? This opening chapter outlines
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eight decades of collective endeavour, shaped by the enduring
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ideal of fostering international cooperation among museums and
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bringing professionals together across geographic and disciplinary
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boundaries.
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</p>
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</div>
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</div>
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</section>
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<section class="two-columns">
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<div class="text">
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<p>
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ICOM entered its first phase of expansion around 1948, growing
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from 367 members at its 1st General Conference in France to 2,793
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members by 1968, the year of its 8th General Conference in
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Germany. The period 1968-1977 aligned with broader processes of
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cultural opening and widening access to museum practices following
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the events of 1968. The 1980s marked a phase of institutional
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consolidation, notably with the adoption in 1986 of the first Code
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of Ethics, now a key reference beyond the organisation itself and
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continually updated.
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</p>
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<p>
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ICOM's growth reflects both quantitative expansion and qualitative
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change. Membership continued to rise during the era of digital
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transformation and increasing global interconnectedness, from
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14,521 members in 2000 to 27,604 in 2010, reaching 51,302 in 2022.
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</p>
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<p>
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Drawing on archival materials-including congress documents,
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photographs, founding texts, early committee reports, and historic
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resolutions-this chapter traces key moments in ICOM's history and
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highlights the actors who made them possible. Above all, it is a
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story of people: committed members, volunteers, and professionals
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dedicated to advancing global outreach, cross-border
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collaboration, and the exchange of expertise in the museum sector.
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</p>
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<p>
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Across the broader landscape of 20th and 21st centuries
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international cultural dialogue, ICOM's history reflects both the
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professionalization and democratization of the museum field. This
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chapter therefore highlights the major shifts that have shaped its
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global community.<br />
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We invite you to explore this first chapter and discover how,
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indeed, museums have no borders, they have a network.
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</p>
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</div>
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</div>
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<div class="column left-column picture-column">
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<figure>
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<img src="assets/images/image-2.jpg" alt="" />
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<figcaption>Légende</figcaption>
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</figure>
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</div>
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</section>
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une citation entre guillemets et un nom d'auteur.
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class="featured-text blockquote colored"
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style="
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<figure>
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<blockquote>
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<p class="main">
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“It highlights how changes in the museum field - ethics,
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specialisations, global representation, were mirrored in the
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evolution of ICOM's committees, working groups, and membership.”
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</p>
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</blockquote>
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<figcaption>Quote from Julia Roberts</figcaption>
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</figure>
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</section>
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<section class="video">
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<div class="text-column">
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<h3>Visual data & Graphic</h3>
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<div class="body-caption">
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<p>
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Officially created in November 1946 in Paris, France, at the
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initiative of Chauncey J. Hamlin (USA), the International Council
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of Museums (ICOM) was settled between Europe and North America.
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</p>
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</div>
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</div>
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<figure>
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<video
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muted
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autoplay
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loop
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src="assets/videos/WorldMap_V5.mp4"
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></video>
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</figure>
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</section>
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<!--
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Version titrée du featured-text
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-->
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<section class="featured-text">
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<h3>80 Years of Evolution of a Global Museum Network</h3>
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<p class="main">
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It highlights how changes in the museum field - ethics,
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specialisations, global representation, were mirrored in the evolution
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of ICOM's committees, working groups, and membership.
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</p>
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</section>
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<section class="timeline">
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<ul class="time">
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<li class="year">
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<h4>1946</h4>
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<ul class="events">
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<li class="event">
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<h5>Nathist</h5>
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<p>
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International Committee for Museums and Collections of Natural
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History
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</p>
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</li>
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<li class="event">
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<h5>Icom design</h5>
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<p>International Committee for Decorative Arts and Design</p>
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</li>
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<li class="event">
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<h5>ICME</h5>
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<p>
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International Committee for Museums and Collections of
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Ethnography
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</p>
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</li>
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<li class="event">
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<h5>ICMAH</h5>
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<p>
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International Committee for Museums and Collections of
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Archaeology and History
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</p>
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</li>
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<li class="event">
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<h5>cimuset</h5>
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<p>
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International Committee for Museums and Collections of Science
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and Technology
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</p>
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</li>
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</ul>
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</li>
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<li class="year">
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<h4>1948</h4>
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<ul class="events">
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<li class="event">
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<h5>ICOM ARCHI-TECHS</h5>
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<p>
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International Committee for Architecture and Museum Techniques
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</p>
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</li>
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</ul>
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</li>
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<li class="year">
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<h4>1950</h4>
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<ul class="events">
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<li>
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<h5>ICOM DOCUMENTATION</h5>
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<p>International Committee for Documentation</p>
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</li>
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</ul>
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</li>
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<li class="year">
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<h4>1956</h4>
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</li>
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</ul>
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<div class="controls">
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<button><img src="assets/images/slider-button.svg" alt="" /></button>
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<h3>Timeline</h3>
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<button><img src="assets/images/slider-button.svg" alt="" /></button>
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</div>
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</section>
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<section class="two-columns">
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<div class="column left-column text-column">
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<h3>Expansion of ICOM beyond Western Europe and North America</h3>
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<div class="text">
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<h4>In search of a global opening</h4>
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<p>
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Officially created in November 1946 in Paris, France, at the
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initiative of Chauncey J. Hamlin (USA), the International Council
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of Museums (ICOM) was initially anchored between Europe and North
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America. The early geography mirrors post-war political stability,
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strong museum infrastructures, and existing international
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networks. At this stage, ICOM national committees functioned
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mainly in industrialised democracies, with limited global reach.
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</p>
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<p>
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Among the fourteen nations represented at the Constitutive
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Assembly, only one country was not part of the Western World:
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Brazil. However, expanding beyond Europe and North America was
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always at the heart of ICOM's ambition, with the goal of welcoming
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delegates from every region of the world. As early as 1947,
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Chauncey J. Hamlin declared that
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</p>
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<button class="read-more">Read more</button>
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</div>
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</div>
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<div class="column right-column picture-column">
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<figure>
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<img src="assets/images/image-3.jpg" alt="" />
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<figcaption>Légende</figcaption>
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</figure>
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</div>
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<div class="column right-column picture-column extra">
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<figure>
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<img src="assets/images/image-3.jpg" alt="" />
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<figcaption>Légende</figcaption>
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</figure>
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</div>
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<div class="column left-column text-column extra">
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<h3>Expansion of ICOM beyond Western Europe and North America</h3>
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<div class="text">
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<h4>In search of a global opening</h4>
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<p>
|
|
Officially created in November 1946 in Paris, France, at the
|
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initiative of Chauncey J. Hamlin (USA), the International Council
|
|
of Museums (ICOM) was initially anchored between Europe and North
|
|
America. The early geography mirrors post-war political stability,
|
|
strong museum infrastructures, and existing international
|
|
networks. At this stage, ICOM national committees functioned
|
|
mainly in industrialised democracies, with limited global reach.
|
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</p>
|
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<p>
|
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Among the fourteen nations represented at the Constitutive
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Assembly, only one country was not part of the Western World:
|
|
Brazil. However, expanding beyond Europe and North America was
|
|
always at the heart of ICOM's ambition, with the goal of welcoming
|
|
delegates from every region of the world. As early as 1947,
|
|
Chauncey J. Hamlin declared that
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</p>
|
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<button class="read-more">Read more</button>
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</div>
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</div>
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</section>
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<section class="two-columns">
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<div class="column left-column picture-column">
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<figure>
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<img src="assets/images/image-4.jpg" alt="" />
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<figcaption>Légende</figcaption>
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</figure>
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</div>
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<!--
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Ici blockquote à l'intérieur du texte.
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-->
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<div class="column right-column text-column">
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<h3>
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Emergence of new professional fields, reflecting the main interests
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of ICOM members
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</h3>
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<div class="text">
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<h4>
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Among the first topics discussed within ICOM: conservation and
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documentation.
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</h4>
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<p>
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While ICOM has grown geographically, as illustrated above, the
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scope and depth of the issues it addresses have expanded as well.
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In its early days, ICOM's main topic among members was the
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conservation of artworks
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</p>
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<blockquote>
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<p>
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"Throughout my years at ICOM, the conservation of collections
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and, more generally, of cultural property was undoubtedly the
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primary activity of the organization and its International
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Committee for Conservation."
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</p>
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</blockquote>
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<button class="read-more">Read more</button>
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</div>
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</div>
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</section>
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</main>
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<footer>
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</footer>
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